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A Critique of South Africa Truth and Reconciliation in John Kani’s Nothing but the Truth

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Download A Critique of South Africa Truth and Reconciliation in John Kani’s Nothing but the Truth. English Language students who are writing their projects can get this material to aid their research work.

Abstract

The truth and reconciliation project was a major political undertaking in South Africa that has continued to offer the country’s creative writers a mine from which to draw materials and inspiration for thematic explorations.

Critical responses to such creative works have equally been numerous, but they have placed more emphasis on inter-racial dimensions of rapprochement in their works.

This paper critically examines the twin issues of truth and reconciliation in John Kani’s Nothing but the Truth from inter-personal and intra-racial angles in order to demonstrate that inter-personal and intra-racial reconciliation, though not without challenges, provides a model of genuine and lasting national inter-racial reconciliation.

Truth is depicted in different ways. The truth people tell in private and inter-personal conflicts appears more reliable, yet ambivalent because it is experiential.

The one told in the public is depicted as unreliable, yet tolerable in the spirit of forging national unity. It is also depicted as desirable but sometimes painful. It is politicised. However, genuine truth is depicted as necessary to engendering lasting reconciliation while reconciliation itself is predicated on earned forgiveness.

Introduction

THundreds  of publications have appeared  on  South Africa’s  Truth  and Reconciliation  project.  More  continue  to  appear.

Although  most  of these publications are from non-literary optics, the contributions from the literary artists have also been bewildering, especially in the genres of  drama  and  fiction.

Indeed,  the  connection  between  South  African literature    of    post-apartheid    era    and    the    country’s    Truth and Reconciliation Commission has been underscored by Shane Graham in a  2003  article  entitled  ‘The  Truth  Commission  and  Post-Apartheid Literature in South Africa’.

In it, Shane gives a panoramic view of how the  TRC  has  influenced  post-apartheid  South  African  literature.  He amplifies this later on in his book South African Literature after the Truth Commission:  Mapping  Loss,  where  the  TRC  is  not  only  viewed  as  ‘a massive national project’ (2009:3) but one with serious implications for cultural productions.

Other critics such as Geoffrey Davis (2000), Salomi Louw (2004), Andre Brink (2005) and Dorothy Driver (2006) have also expressed similar sentiments.

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