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Folk Music in Contemporary Nigeria: Continuity and Change

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Description

Download Folk Music in Contemporary Nigeria: Continuity and Change. Theatre and Performing Art students who are writing their projects can get this material to aid their research work.

Abstract

One of the greatest challenges facing today‟s global age is its transformational and transitional nature where values and norms are under constant change.

As such a developing nation like Nigeria is under high pressure of acculturation problem coming mostly from Western nations to which her citizenry absorb more quickly or succumb to.

Consequently, contemporary Nigerian society has integrated some of these Western cultural lifestyles to themselves thus posing a serious threat to the survival of some of her traditional values one of which is her folk music.

Be that as it may, the practice of traditional folk music is still being vibrantly practised in contemporary society of Nigeria as indicated by the numerous examples of traditional folk music practitioners used in this study.

They include; B.B.C. Lon‟Bworok, Turu in Jos South L.G.A of Plateau State, Bekah Club 100 traditional music band of Makurdi, Benue State

Introduction

Most musical activities that abound in some socio-religious and other ceremonial engagements in contemporary Nigeria present a facadeof a major departure from the indigenousand traditional folk music practice. This departure to a large extent is as a result of some external socio-political and cultural pressures as well as internal dynamics.

The dramatic transformation of the society especially through cultural contacts coming from Western, Arab and Asia worlds; urbanization, industrialization and religion brought about changes that tampered with and disrupted some aspects of Nigerian traditional values and lifestyles.

One of which is the traditional folk music artistic expressions and patronage. As a result of these transformations, there emerged among Nigerians new urban social class with a new musical taste.

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