{"id":8095,"date":"2023-08-25T04:19:35","date_gmt":"2023-08-25T04:19:35","guid":{"rendered":"https:\/\/file.currentschoolnews.com\/?post_type=product&p=8095"},"modified":"2023-08-25T14:14:39","modified_gmt":"2023-08-25T14:14:39","slug":"a-critique-of-south-africa-truth-and-reconciliation-in-john-kanis-nothing-but-the-truth","status":"publish","type":"product","link":"https:\/\/pastexamquestions.com\/product\/a-critique-of-south-africa-truth-and-reconciliation-in-john-kanis-nothing-but-the-truth\/","title":{"rendered":"A Critique of South Africa Truth and Reconciliation in John Kani\u2019s Nothing but the Truth"},"content":{"rendered":"

Download A Critique of South Africa Truth and Reconciliation in John Kani\u2019s Nothing but the Truth<\/strong><\/span>. English Language students who are writing their projects can get this material to aid their research work.<\/span><\/span><\/p>\n

Abstract<\/b><\/span><\/h2>\n

The truth and reconciliation project was a major political undertaking in South Africa that has continued to offer the country\u2019s creative writers a mine from which to draw materials and inspiration for thematic explorations.<\/p>\n

Critical responses to such creative works have equally been numerous, but they have placed more emphasis on inter-racial dimensions of rapprochement in their works.<\/p>\n

This paper critically examines the twin issues of truth and reconciliation in John Kani\u2019s Nothing but the Truth <\/em>from inter-personal and intra-racial angles in order to demonstrate that inter-personal and intra-racial reconciliation, though not without challenges, provides a model of genuine and lasting national inter-racial reconciliation.<\/p>\n

Truth is depicted in different ways. The truth people tell in private and inter-personal conflicts appears more reliable, yet ambivalent because it is experiential.<\/p>\n

The one told in the public is depicted as unreliable, yet tolerable in the spirit of forging national unity. It is also depicted as desirable but sometimes painful. It is politicised. However, genuine truth is depicted as necessary to engendering lasting reconciliation while reconciliation itself is predicated on earned forgiveness.<\/p>\n

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Introduction<\/span><\/span><\/strong><\/span><\/h2>\n

T<\/span><\/span>Hundreds \u00a0of publications have appeared \u00a0on \u00a0South Africa\u2019s \u00a0Truth \u00a0and Reconciliation \u00a0project. \u00a0More \u00a0continue \u00a0to \u00a0appear.<\/p>\n

Although\u00a0 most \u00a0of these publications are from non-literary optics, the contributions from the literary artists have also been bewildering, especially in the genres of \u00a0drama \u00a0and \u00a0fiction.<\/p>\n

Indeed, \u00a0the \u00a0connection \u00a0between \u00a0South \u00a0African literature\u00a0\u00a0 \u00a0of\u00a0\u00a0 \u00a0post-apartheid\u00a0\u00a0 \u00a0era\u00a0\u00a0 \u00a0and\u00a0\u00a0 \u00a0the\u00a0\u00a0 \u00a0country\u2019s\u00a0\u00a0 \u00a0Truth and Reconciliation Commission has been underscored by Shane Graham in a \u00a02003 \u00a0article \u00a0entitled \u00a0\u2018The \u00a0Truth \u00a0Commission \u00a0and \u00a0Post-Apartheid Literature in South Africa\u2019.<\/p>\n

In it, Shane gives a panoramic view of how the \u00a0TRC \u00a0has \u00a0influenced \u00a0post-apartheid \u00a0South \u00a0African \u00a0literature. \u00a0He amplifies this later on in his book South African Literature after the Truth Commission: \u00a0Mapping \u00a0Loss, \u00a0<\/em>where \u00a0the \u00a0TRC \u00a0is \u00a0not \u00a0only \u00a0viewed \u00a0as \u00a0\u2018a massive national project\u2019 (2009:3) but one with serious implications for cultural productions.<\/p>\n

Other critics such as Geoffrey Davis (2000), Salomi Louw (2004), Andre Brink (2005) and Dorothy Driver (2006) have also expressed similar sentiments.<\/p>\n

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