Development of Sculpture for Functionality: An Exploration with Terracotta in the Landscape

Description

– Development of Sculpture for Functionality: An Exploration with Terracotta in the Landscape –

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Abstract

The history of sculpture from time reveals the use of varied materials as well as its utility for a multitude of functions; amidst this too is the contentious issue of the varied spaces in which sculpture is placed.

However, there was a glaring trend since the prehistoric period of the close affinity of sculpture with architectural spaces which seemed to have placed a kind of limitation on the freedom of sculptors as well as the choice of space for sculpture.  

On the contemporary scene, while it is known that sculptors in Europe and America have been able to liberalize the choice of spaces exploring with a wider range of industrial methods and media, there continued to be a noticeable trend, within the Nigeria landscape, that sculptures continued to be entwined within architectural spaces. 

Introduction

The sculpture has a history of functionality as well as that of the politics of the space it occupies or its environment; two options are clearly discernible: the interior space and the exterior landscape.

Within the interior, it may be enclosed in the inside spaces of buildings, or in dingy rooms of an underground burial chamber, or better still, meant to be concealed in the body space of a carrier who tucked it away under the dress. 

For the open-air landscape, it may mean sculpture of the open arena in the public spaces, site-specific locations, and contextual spaces. An initial reference to the function and functionality of the many ancient flint stone implements of the pre-historic man puts the story of sculpture in the right perspective. 

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