Character Formation in Chimamanda Ngozi Adichie’spurple Hibiscus and Kaine Agary’s Yellow-Yellow

Description

– Character Formation in Chimamanda Ngozi Adichie’spurple Hibiscus and Kaine Agary’s Yellow-Yellow –

Download Character Formation in Chimamanda Ngozi Adichie’spurple Hibiscus and Kaine Agary’s Yellow-Yellow. English and Literary Studies students who are writing their projects can get this material to aid their research work.

Abstract

This work analyses two novels by contemporary Nigerian female writers – Chimamanda Ngozi Adichie’s Purple Hibiscus and Kaine Agary’s Yellow-Yellow as a representative of Bildungsroman which traces the growth and developmental trajectories of the principal characters from childhood to maturation.

The study explores the various ways in which the writers re-adopt the sub-genre as a vehicle by means of which the characters of our contemporary Nigerian youths are formed.

It acknowledges the existing German model and precursor, Goethe’s Whilhelm Meister Apprenticeship up to British Bildungsroman as well as African female Bildungsroman, which has become very popular among contemporary female writers.

Chapter one serves as the general introduction. It explains the meaning and the processes of character formation, it equally shows the plot pattern of the genre, the interrelatedness of psychology of personality formation with Bildungsroman, and the feministic trends in the novel of formation with emphasis on female Kunsterroman.

Introduction

In recent years, some of the innovative and formative trends that dominate the 21st century African literaturefocus extensively on character formation.

In literary parlance, a novel of formation also called Bildungsroman or coming-of-age story is a literary sub-genre that focuses on the psychological and moral growth of the protagonist from childhood to maturation, andin which character change/transformation is thus extremely important.

The emerging development covers the creative hiatus of colonial and postcolonial experiences that previously dominate African literary canon. Hence, contemporary writers have been ingeniously and eruditely locating the coming –of-ageethos to emphasize that growth and development are universal human phenomena.

Talking about the resurgence of growing-up motif in contemporary Africa, especially Nigeria, Maxwell Okolieopines that: This privilege phase of growing up is often used as intimate, passion-packed subject matter in fiction.

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